Our last session until Fall is this Thursday! Thankfully, we’re closing the year with the amazing Karen Joy Fowler.
Karen Joy Fowler is the author of six novels and three short story collections. The Jane Austen Book Club spent thirteen weeks on the New York Times bestsellers list and was a New York Times Notable Book. Fowler’s previous novel, Sister Noon, was a finalist for the 2001 PEN/Faulkner Award for fiction. Her debut novel, Sarah Canary, was a New York Times Notable Book, as was her second novel, The Sweetheart Season.
In addition, Sarah Canary won the Commonwealth medal for best first novel by a Californian, and was listed for the Irish Times International Fiction Prize as well as the Bay Area Book Reviewers Prize. Fowler’s short story collection Black Glass won the World Fantasy Award in 1999, and her collection What I Didn’t See won the World Fantasy Award in 2011.
Fowler and her husband, who have two grown children and five grandchildren, live in Santa Cruz, California.
Stay tuned for samples of Fowler’s work!
4/7 – 8:30pm – Frick Fine Arts Auditorium
Free & open to the public
Author and poet James Fenton will be joining us tomorrow for our second-to-last Writers Series.
James Fenton was born in Lincoln in 1949 and educated at Magdalen College, Oxford where he won the Newdigate Prize for poetry. He has worked as political journalist, drama critic, book reviewer, war correspondent, foreign correspondent and columnist. He is a Fellow of the Royal Society of Literature and was Oxford Professor of Poetry for the period 1994-99. Fenton received the Queen’s Gold Medal for Poetry in 2007, and in 2015 won thePEN Pinter Prize.
Frick Fine Arts Auditorium – 3/22 – 8:30pm – Free & open to the public
“i’d like a little flashlight” is a poem from Rachel Zucker’s collection The Pedestrians.
A native of New York, she has lived in the city for almost her entire life, which has greatly influenced her poetry.
“Being a New Yorker is very intrinsic to my personality,” Zucker told Art Beat. “New York has always shown up in all my poems, but in [The Pedestrians], I was really interested in being more explicit about it and not just writing about New York, but writing in a way that somehow mimicked the experience of living in New York.”
i’d like a little flashlight& I’d like to get naked & into bed & be
HOT radiating heat from inside these
blankets do nothing to keep out the out keep
my vitals in some drafty body I’ve got in & out
in all directions I’d like to get naked into bed but
HOT on this early winter afternoon already
dusky grim & not think of all the ways
I’ve gone about the world & shown myself
a fool shame poking holes in my thinned carapace
practically lacy woefully feminine I’d like to get
naked into bed & feel if not hot then weightless I
once was there a sensory-deprivation tank
Madison WI circa 1992 I paid money for that
perfectly body-temperature silent pitch-dark tank
to do what? play dead & not die? that was before
e-mail before children before I knew anything
just the deaths of a few loved ones which were poisoned nuts
of swallowed grief but nothing of life
or life giving which cuts open the self bursting busted
unsolvable I’d like to get naked into the bed of my life
but hot HOT my little flicker-self trumped up somehow
blind & deaf to all the dampening misery of my friends’ woes
I’d like a little flashlight to write poems w/ this lousy day
not this poem I’m writing under the mostly flat
blaze of bulb but a poem written with the light itself
a tiny fleeting love poem to life a poem that says
Look here a bright spot of life oh look another!
Rachel Zucker will be joining us on Thursday, February 11th at 8:30pm in the Frick Fine Arts Auditorium. As always, we’re free and open to the public.
Rachel Zucker is the author, most recently, of a memoir, MOTHERs, and a double collection of prose and poetry, The Pedestrians. Her book Museum of Accidents was a finalist for the National Book Critics Circle Award. She received a National Endowment for the Arts fellowship in 2013.
“Don’t Say Anything Beautiful Kiss Me” is a piece from Zucker’s Museum of Accidents.
if my lips were rose petals they’d taste too bitter.
If my cheeks were apples they’d crawl with apple worms.
If my eyes were stars they’d be dead by the time you saw them.
If I moved you like the moon I’d disappear once a month.
If my teeth were Chiclets you’d want to chew on them and spit them out.
If my hands were birds you couldn’t hold them; they’d peck you bloody.
Is my skin alabaster? Then it’s cold and hard and one day someone will skin me,
make me into a cold hard box tinged with pink or yellow, to hold unguents, then
how will you love me?
If my vagina is a cool, dark forest you’ll certainly be lost, you have no sense of direction.
If my vagina is a cave-watch out! It’s prone to seismic shifts and avalanche.
If my vagina is a river of honey: orange, lavender, fine herbs, hazelnut, all too sweet.
If my ears are shells I can’t hear you, only the ocean anyway.
And if my voice is music, it is unintelligible.
Don’t say anything.
I am not a flower, but a body with rules and predictable, cellular qualities.
My eyelashes and fingernails and skin and spit are organized by proteins
designed to erode at a pre-encoded date and time, no matter what you do or do
not do to me-
I am remarkably like an animal.
More like a heifer than a sunrise, I want to bite, stroke, swallow you so stop lying
there trying to think of something to say and trying to understand me.
I am the body next to but unlike yours.
You already know me. You already know what I’m made of.”
— Rachel Zucker.
Rachel Zucker will be joining on on Thursday, February 11th at 8:30pm in the Frick Fine Arts Auditorium. As always, we’re free and open to the public.
Hello, Pittsburgh! Please join us next week for two exciting events with a the poet Rachel Zucker: As part of Wave Books’ Bagley Wright Lecture Series, Zucker will be delivering a lecture on the intersection of poetry, confession, ethics and disobedience, at 4pm on Thursday, February 11 in 501 Cathedral of Learning; she will be giving a public reading at the Frick Fine Arts Auditorium at 8:30pm on February 11. As always, our events are free and open to the public.
Next up on our roster is the amazing Ed Roberson, a poet who was born and raised in Pittsburgh. He studied painting in his youth and was educated at the University of Pittsburgh. His extensive travels inform his work, which is also influenced by spirituals and the blues, and by visual art, such as the mixed-media collages of Romare Bearden.
Romare Bearden, The Train (1975)
Ed Roberson is the author of eight books of poetry, including Voices Cast Out to Talk Us In, a winner of the Iowa Poetry Prize, and a recent collection, The New Wing of the Labyrinth (Singing Horse Press, 2010). His Atmosphere Conditions was selected for the National Poetry Series and nominated for the Lenore Marshall Award from the Academy of American Poets. A recipient of the Lila Wallace Writers’ Award and the 2008 Shelley Memorial Award from the Poetry Society of America, he is Distinguished Artist in Residence at Northwestern University.
Roberson’s limnology studies have taken him to Alaska, Afognak Island and Bermuda. Twice a team member of the Explorers’ Club of Pittsburgh’s South American Expeditions, he has climbed mountains in the Peruvian and Ecuadorian Andes and explored the upper Amazon jungle. He has been a diver for the Pittsburgh Aquazoo, motorcycled across the United States, and traveled in Mexico, the Caribbean, Nigeria and West Africa. His wide-ranging investigations, both geographical and intellectual, inform a poetics encompassing “startling and just metaphors” and “acrobatic leaps and counter-leaps of thought.” (Reginald Gibbons)
Thursday, November 19th @ 8:30pm
Frick Fine Arts Auditorium
Free & open to the public