Hey, Pittsburgh! Did you miss us?
Wipe your tears because we’re back! Our first Writers Series for the year will be a double – both Joshua Marie-Wilkinson and Jen Bervin will be reading and speaking.
Let’s start off with Jen Bervin’s bio:
Based in Brooklyn, poet and visual artist Jen Bervin works in hybrid forms that blend language, writing, and the visual arts; the combinations and emphases change with each project, but all of her works involve strong conceptual elements with a minimalist’s eye for the poetic and essential. Much of Bervin’s work rotates around the poles of text and textile, continually interrogating and elaborating that ancient connection through poems, archival research, artist books, and art.
In recent years, she’s done a number of projects focused on Emily Dickinson—a series of large-scale embroidered wall works which address Dickinson’s “variant markings,” the + signs in her manuscripts that direct readers to other possible words or phrases. A book on these were published by the country’s most important publisher of artists’ books, Granary Books: The Dickinson Composites (2010) followed by another,The Gorgeous Nothings with Marta Werner (2012), which makes available hitherto unpublished manuscript facsimiles of the “fragments” that Dickinson composed on envelopes, and frames them with a close look at her use of the envelope as both a charged and flexible artistic support. The poet Susan Howe called the new book an “absolute perfect combination of solid scholarship and art.”
Her current project, The Silk Poems, an experimental book that takes this textile as its subject and form, explores the cultural, scientific, and linguistic complexities of silk, mending and the body in poems imprinted on silk film. Currently in the research phase, this project includes consulting nanotechnology and biomedical labs, and over fifty international textile archives, medical libraries, and sericulture sites in North and South America, Europe, the Middle East, and Asia. The Silk Poems has received support from a Creative Capital Grant in Literature (2013) and The Bogliasco Foundation Fellowship at the Liguria Study Center in Italy (2014).
Bervin’s honors also include a Rauschenberg Foundation Residency (2015), The Josef and Anni Albers Foundation Residency (2012, 2009), Von Hess Visiting Artist Fellowship at the Borowsky Center for Publication Arts in Philadelphia at University of the Arts (2012), Visual Studies Workshop Residency (2010), New York Foundation for the Arts Poetry Fellowship (2007), The MacDowell Colony Residency (2006), The Camargo Foundation Fellowship in Cassis, France (2006), Mellon Research and Travel Grant (2005), Centrum Arts Residency (2004), The Center for Book Arts, Fine Printing and Letterpress Workshop Fellowship (2003), and an Edward M. Lannan Prize from the Academy of American Poets (2000).
Bervin’s works are held in more than thirty collections including the Walker Art Center, J. Paul Getty Museum, The Brooklyn Museum, Stanford University, Harvard University, the Beinecke Library at Yale University, The Sackner Archive of Visual and Concrete Poetry, the British Library, and le Bibliothèque nationale de France. Current and upcoming exhibitions include “Material Fix” curated by Alison Ferris at the John Michael Kohler Arts Center, “Behind the Personal Library: Collectors Creating a Canon” curated by Alexander Campos at The Center for Book Arts, “Word and Image” curated by Francesca Capone at The Cohen Gallery and an upcoming solo show, both at Brown University’s Granoff Center.
Jen Bervin’s work has been covered in national and international publications and media outlets such asNPR, The Nation, Artforum, Art in America, Frieze, The New York Times, The New Yorker, The Poetry Foundation, The Brooklyn Rail, and Hyperallergic. She is on the faculty of the graduate program at Vermont College of Fine Arts. In 2015, she will teach a master class at Yale University and will be a Fitt Artist in Residence at Brown University.
As you can see, Jen Bervin is an amazing artist. Are you as excited to meet her as we are?